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I Used To Share A Room With Barrister —KWAM 1



Celebrated fuji musician, Wasiu Ayinde, reflects on his journey through music as he clocks 60 today, AKEEM LASISI writes

Today is a special one for Talazo Fuji singer, Wasiu Ayinde Marshal – an alias that, over the years, changed almost as rapidly as the artiste sought to renew his art.  The musician has clocked 60, an age that many would consider a landmark in a society where life expectancy is more than 10 years lower.

Wasiu’s entry into the real elder’s club is happening at a relatively symbolic time. About four days ago, popular film-maker, Tunde Kelani, clocked 69, and was celebrated by many of his friends, associates and fans across the country. Also on March 12, poet laureate, Prof. Niyi Osundare, will be 70, with a series of events bound to greet it. The three men are not really of the same pedigree nor are they in the same vocation. But those who are deep in Yoruba cultural heritage will attest to the fact that they drank a lot from the same pot.

Of course, in terms of engagement with oral literature, Wasiu’s elder fuji practitioners, the late Sikiru Ayinde Barrister, whom he describes as his mentor, and Kollignton Ayinla, could be ahead. What many will continue to celebrate KWAM 1 for is the innovation that he brought into fuji, his doggedness and his ability to attract new audiences to the brand, both within and outside Nigeria.

Observers say that fuji is still alive due to the ingenuity and efforts of the artiste who, since 1984 when he released his limelight album, Tala ’84, has continued to make waves. The reason is that many old genres die due to the absence of younger talents who are supposed to continue to propagate it. Perhaps this is what befell the likes of sakara and apala, which almost faded away with the passage of the likes of Yusuf Olatunji and Haruna Ishola. As KWAM 1, who ably took over from Barrister and Kollington, thus turns 60, many are likely to salute him as a bridge builder and a reliable apostle.

A culture promoter and the Dean, Students’ Affairs at the University of Lagos, Prof. Tunde Babawale, is one of those people. Babawale, who is also a former Chief Executive Officer of the Centre for Black and African Arts and Civilisation,  notes that Wasiu Ayinde has done wonderfully well for fuji, Yoruba culture, Nigeria and Africa in general.

“Many people, young and old, like KWAM 1’s music. It educates and entertains and it is good that he has for decades proved that he is an artiste that you cannot deny attention,” Babawale says.

Another big fan of fuji music, Mr. Hakeem Adenekan, hails Wasiu for some of the political and philosophical intervention that he had done through his music. He recalls his 1993 hit, Democracy, in which he criticises some of the contradictions that bedevil Nigeria’s democratic dreams; and a song in which Wasiu stresses the importance of ori, one’s inner head that governs one destiny. Both critics were among the stakeholders that Nigerian Breweries gathered in Lagos on Wednesday to discuss the impact of fuji and juju music on culture.

As Wasiu savours the accolades, however,  he likes to see himself as a lucky being, one who has excelled based on the favour he got from God.

He says, “I am not more special than other people. I am just lucky because nothing makes me different from other fuji musicians like Adewale Ayuba, Obesere and others.”

He notes that he was born on Lagos Island, which he describes as the centre of fun. According to him, fuji got its name from faaji – celebration, fun etc – especially as contained in expressions such as Olowo lo n se fuja/ Kin ni fuji e, both indicating that it is money that rules the social scene.

“Our forefathers used fuji as freestyle word,” he adds.

Yet, he concedes that were – the Islamic song used to wake people up during the Ramadam festival – gave birth to fuji.

Wasiu gives kudos to Barrister who, he says, did extremely well for the brand.

“There is no need for us to be arguing about the origin of fuji, although there is the need to educate ourselves. Barrister did a lot to take fuji to the level it is. I started playing with ajisari groups since I was six years old. The first 10 years, I was an apprentice, including with my mentor, Alhaji Sikiru Ayinde Barrister. We were sharing one room then. I used to sleep in a room with him. I read Barrister like a book, like one studying for an examination. That was why I was the closest person to him till he died,” he explains

… as stakeholders commend Goldberg for music seminar

Meanwhile, stakeholders commended Goldberg larger beer on Wednesday when it organised Ariya Repete, a seminar on the role of music in the development of culture.

Specifically, the programme held at Airport Hotel, Ikeja, examined the influence that fuji and juju music has had on the cultural and social scene.

With Babawale as the keynote speaker, broadcasters, actors and other artistes that include Yemi Sodimu, Ambrose Somide, and Wale Obadina played key roles. Others present were Damola Olatunji and Kunle Afod.

While the Ooni of Ife, the royal father of the day, was represented by Oba Adebiyi Asoya, the Asoya of Ile Asoya Kingdom, Wasiu Ayinde and afro juju star, Shina Peters, spoke on their experiences on the field.

Babawale explained that the rich cultural heritage of the Yoruba provided the foundation on which juju and fuji were built.

He noted that the attachment of the Yoruba people of South West Nigeria to music and celebration had earned them the appellation of “Owambe”, a reference to their love for ceremonies and celebrations.

He traced the origin of juju music to the old Saro (Olowogbowo) quarter of Lagos where the genre emerged from ‘asiko’ music associated with “area boys” in the quarter. He added that the genre also incorporated Brazilian Samba elements and the guitar style of Kru sailors from Liberia.

According to the professor, the genres have positively impacted every area of life of Yorubas, including the reduction of socio-economic tension and the prevalence of religious tolerance.

While Shina Peters and Wasiu commended Golberg for organising the programme, Somide enjoined young musicians of Yoruba extraction to endeavour to sustain the genres for the promotion of the Yoruba culture.

Source: Punch

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Singer Simi Pens Beautiful Letter To Her Daughter As She Turns 6 Months




Simi and her daughter, Adejare

Simi and her daughter, Adejare

Popular Nigerian singer and songwriter, Simi has penned a beautiful letter to her daughter, Adejare as she turns 6-months-old.

November 30 marked six months since the singer and her husband, Adekunle Gold welcomed their little platter of feet. Taking to her Instagram page, Simi posted an adorable photo of her herself and her daughter along with the lovely message.

The first time mum noted that she is excited for her daughter to grow up so they can do fun stuff together.

In her words;

“My baby. My daughter. The love of my life. This feisty little chocolate princess is 6 months old today. God is so great.

You make me giddy Adejare. You changed my life and turned my Spirit inside out. Giving you life (in collaboration with God and your daddy) gave me new life, and is the most spiritual thing I ever did in all my life. You’re everything to me. I’ve never felt a love so complete and thorough and protective and jealous and unconditional. They tell you you’re gonna love your baby so much, but you don’t know how much until you love your baby.

I’m emotional because you’re growing up too fast and some days I want time to freeze, so I can soak up more of these moments, but I’m also excited for you to grow up so we can have cute, silly conversations. So we can go on mommy/daughter dates. So we can have slumber parties. So you can confide in me. So we can pray together. You’re everything I asked for, and then so much more. You complete our little family. Thank you for your gummy smiles and for all the words you think you’re saying. I hear you. I love you too much Deja. Happy half birthday

– Mommy”

Read Also: Singer Simi Laments Over Men Having More Privileges Than Women

See the post below:


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Actress Lilian Afegbai Pens Motivational Quotes After Buying Birkin Bag Worth $22K



Edo state Judicial panel summons actress Lilian Afegbai’s mom over shooting student to death

Lilian Afegbai

Nigerian actress and film producer, Lilian Afegbai has taken to Instagram to show off her Hermès Birkin bag worth $22K.

The ex-Big Brother Africa housemate posted a photo of the pricey bag along with the receipt to clear all doubts. Afegbai also penned some words of encouragement to her social media followers as she urged them to be patient and keep pushing.

The actress captioned her post with the words;

“There’s time for everything, I got this for my birthday but it arrived late…
I remember when I could only afford an Aldo or Zara bag…. Now I can get myself a birkin

Enjoy the process, very soon you will get everything you want. It just takes time
More to come”

Read Also: Lilian Afegbai Returns To IG After Her Mum Was Dragged For Shooting UNIBEN Student

See her post below:

The actress' post

The actress’ post



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‘Why I’m Ready For Marriage’: BBNaija’s Leo Da Silva



Leo Da Silva

Leo Da Silva

Reality TV star, Leo Da Silva, has explained why he is ready for marriage. The former BBNaija ‘Double Wahala’ housemate took to his official Twitter page to reply a fan who came at him for saying he is ready for marriage shortly after tweeting that women should be feared.

You went from fearing women to now being ready to get married“, the Twitter user wrote.

Explaining his sudden change of heart, the 27-year-old Lagos-born entrepreneur wrote in response:

“Fear women, not fear woman.”

Read Also: ‘Women Cheat More Than Men’ – Leo Da Silva

The reality TV star has also made a case for men who demand that their potential partners be as financially capable as they are. According to him, no man wants a burden.

See his tweet below:

The reality TV star’s tweet

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